Offset lithograph printed in pink and green, 1969.
Signed in pen, from the edition of unknown size.
Printed on Kromekote paper.
Published by Leo Castelli Gallery, New York.
Published in conjunction with the exhibition ‘Bruce Nauman: Holograms, Videotapes, and Other Works’ at the Leo Castelli Gallery (May-June 1969).
61.5 x 51 cm

Lithograph, 1960.
Signed in pencil, numbered from the edition of 150.
Printed by Atelier Maeght, Levallois.
Published by Maeght, Paris.
(Koelen 60002)
47 x 60.5 cm

Collage with linocut and monoprint, 2018.
Signed in pencil.
38 x 56.5 cm.

Linocut printed in colours, 2020.
Signed in pencil from the edition of 25.
Printed by Blackbird Editions, London.
28 x 37.5 cm.

Woodcut printed in colours, 2020.
Signed in pencil. Numbered from the edition of 40.
Printed on Japanese paper by Blackbird Editions, London.
Sheet: 24 x 31 cm.

Woodcut, the colours inked à la poupée, 1945-48.
Signed in ink, numbered from the edition of 100 in pencil.
Printed on wove paper.
(Adhémar 117).
35 x 24 cm.

Lithograph, 1986.
Signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals.
Printed on Rives BFK paper.
Published by Philosophie des Arts et F. Delille, Paris
Printed by Ateliers Desjobert, Paris.
76.2 x 55.88 cm.

Lithograph, 1986.
Signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals.
Printed on Rives BFK paper.
Published by Philosophie des Arts et F. Delille, Paris
Printed by Ateliers Desjobert, Paris.
76.2 x 55.88 cm.

Lithograph, 1986.
Signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals.
Printed on Rives BFK paper.
Published by Philosophie des Arts et F. Delille, Paris
Printed by Ateliers Desjobert, Paris.
76.2 x 55.88 cm.

Lithograph, 1986.
Signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals.
Printed on Rives BFK paper.
Published by Philosophie des Arts et F. Delille, Paris
Printed by Ateliers Desjobert, Paris.
76.2 x 55.88 cm.

Photo-offset lithograph, collage, screenprint from two stencils, and pochoir, retouched with cosmetics by the artist, 1969-70.
Signed in pencil and numbered from the edition of 70.
On Fabriano paper.
Photographic and screenprint elements printed by the artist and Kelpra Studios, London.
Offset printing by Sergio and Fausta Tosi, Milan. Collage elements printed by David Bailey, Milan.
Published by Professional Prints A.G., Zug (Petersburg Press S.A.) (Lullin76)
S: 99.3 x 69 cm

Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs.

Proofed by Serge Lozingot and printed by Mrk Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186)

Intaglio print in colours with carborundum and hand-colouring, 1990
Signed in pencil and numbered from the edition of 55.
Printed on Velin Arches paper at the 107 Workshop, Wiltshire.
Published by Waddington Graphics, London.
148.5 x 120 cm

Coloured pencil drawing, 2018.
21 x 15 cm.

Coloured pencil drawing, 2020.
21 x 15 cm.

Screenprint in colours, 1968.
Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 18)
58.5 x 89 cm

Screenprint in colours, 1968.
Signed in pencil. Titled and dated in pencil, numbered from the edition of 200.
From ‘Baby, Baby, Wild Things’.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed 27).
S: 89.1 x 58.8 cm.

Screenprint in colours, 1968
Signed in pencil. Titled and dated in pencil. Numbered from the edition of 200.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp. (Ingram & Halliwell 22)
89 x 58.8 cm

Pochoir printed in colours, 1947.
From: Jazz, Plate VI. From the book edition of 270.
Printed on Arches paper by Edmond Vairel, Paris.
Published by Teriade, Paris.
(Duthuit Livres 22)
42 x 65 cm.

Lithograph, 1939.
From the ‘Barcelona Series’.
Signed and dated in pencil, numbered from the edition of 5.
Printed in 1944 on Torras Juvinya paper.
Published by Joan Prats, Barcelona.
(Mourlot 30).
69 x 52 cm.

Lithograph, 1939.
From the Barcelona Series.
Signed and dated in pencil, numbered from the edition of 5.
Printed in 1944 on Torras Juvinya paper.
Published by Joan Prats, Barcelona.
(Mourlot 41)
S: 69 x 54 cm.

Lithograph printed in colours, 1970.
Signed in pencil, numbered from the edition of 75.
Printed by Mourlot on wove paper.
Published by Louis Broder, Paris.
(Mourlot 658)
S: 66 x 50.9 cm

Etching and aquatint printed in colours, 1967.
Signed in pencil, numbered from the edition of 75.
Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris.
(Dupin 440).
74 x 104.8 cm.

Etching and aquatint on Fabriano paper, 1980.
Signed in pencil and numbered from the edition of 50 recto.
Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome.
Sheet: 43.5 x 58.2 cm.
Plate mark: 21.9 x 24.2 cm
Cramer IV 582

Etching and aquatint on Fabriano paper, 1980.
Signed in pencil and numbered from the edition of 50 recto.
Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome.
Sheet: 43.2 x 58.2 cm.
Plate mark: 25.1 x 34.2 cm.
Cramer VI 583

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
Plate: 76.2 x 60.9 cm
Sheet: 94.6 x 77.4 cm

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs)..
Printed on Somerset Velvet Soft White paper.
The plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm

This print has been used by Sir Paul McCartney for the cover of his album Memory Almost Full, released in 2007.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The two coloured plates were hand-drawn by the artist, editioned by Maurice Payne, New York.
Plate: 76.2 x 60.9 cm
Sheet: 94.6 x 77.4 cm

Etching, 1947 on wove paper.
Signed in pencil.
Unnumbered from the edition of 100.
25.4 x 19.4 cm.

Etching, 1947 on wove paper.
Signed in pencil.
Unnumbered from the edition of 100.
25.4 x 19.4 cm.