Joan Miró, Proof for deluxe Galerie Maeght greeting card, Etching with monotype colouring in azure green. Signed in pencil by Miró.
Joan Miró, Untitled, Etching with monotype colouring in turquoise green and lime green. 123 x 151 mm, folded.
Joan Miró, Proof for deluxe Galerie Maeght greeting card with dedication, Etching with monotype colouring in dusk magenta. Signed and dated, with a dedication to Louis G. Clayeux.
Joan Miró, Proof for deluxe Galerie Maeght greeting card, Etching with monotype colouring in magenta and azure green, 1950. Signed and dated.
Pablo Picasso, Grand Air (Les Yeux Fertiles), original monochrome etching with scraper by Picasso with Eluard's engraved autograph text, 1936.
Allen Jones, Yours (Between the Sheets series), colour lithograph on 300gsm Rives BFK paper, 19/50, 2007.
Patrick Caulfield, And I am alone in my house, From "Some Poems of Jules Laforgue". Screenprint on paper, 1973. From Edition C, with wide margins, signed on the front. On of 20 AP's aside from the edition of 100.
Patrick Caulfield, We wanted to bleed the silence, From "Some Poems of Jules Laforgue". Screenprint on paper, 1973. From Edition C, with wide margins, signed on the front. On of 20 AP's aside from the edition of 100.
Dorothea Tanning, Frieze of 6 erotic original watercolour drawings, An original watercolour 'frieze' / letter by Dorothea Tanning. The 6 drawings in the frieze depict women in erotic or post coital poses. c. 1965.
John Baldessari, Throwing Three Balls in the Air to get a Straight Line (Best of Thirty-Six Attempts), Complete set of twelve offset lithographs in colours on coated stock paper, 1973.
Howard Hodgkin, Put Out More Flags, Lift-ground etching, aquatint, carborundum and hand-colouring, 1992.
Howard Hodgkin, Blue Listening Ear, Etching and aquatint with carborundum in colours, with hand-colouring, 1986.
Man Ray, Revolving Doors: Dragonfly X, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: Concrete Mixer IX, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: Shadows VIII, Pochoir printed in colours after a collage from 1916-17, published in 1973
Man Ray, Revolving Doors: Jeune Fille VII, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: Decanter VI, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: Legend V, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: The Meeting IV, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: Orchestra III, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Man Ray, Revolving Doors: Long Distance II, Pochoir printed in colours after a collage from 1916-17, published in 1973.
Paula Scher, India, Screenprint in colours, 2010. Signed and numbered by the artist from an edition of 60. 112 x 103 cm
David Hockney, Beautiful and white flowers, Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
David Hockney, The shop window of a tobacco store, Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy.
David Hockney, To Remain, Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy
David Hockney, He Enquired after the Quality, Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy
Howard Hodgkin, Street Palm, Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg tempera. 1990 - 1991
