Patrick Caulfield
Watch me eat, without appetite, à la carte
From “Some Poems of Jules Laforgue”.
Screenprint on paper, 1973. From Edition C, with wide margins, signed on the front. On of 20 AP’s aside from the edition of 100.
Dorothea Tanning
Frieze of 6 erotic original watercolour drawings.
Paris. (c.1965)
An original watercolour ‘frieze’ / letter by Dorothea Tanning. The 6 drawings in the frieze depict women in erotic or post coital poses.
David Hockney
Celia Amused
Lithograph on Toyoshi #80, 1979.
Signed, dated and numbered from the edition of 100.
Printed and published by Gemini G.E.L., Los Angeles.
(Gemini 834).
102 x 76 cm.
Howard Hodgkin
Put Out More Flags
Lift-ground etching, aquatint, carborundum and hand-colouring, 1992.
Signed and dated in pencil, numbered from the edition of 75. Commissioned by the Modern Art Museum of Fort Worth, Texas to celebrate their 100th anniversary, as part of the Centennial Print Project for the Artists’ Fund.
Printed by Jack Shirreff at the 107 Workshop, Wiltshire.
Published by the Modern Art Museum of Fort Worth, Texas.
(Heenk 90).
43.2 x 53.3 cm.
After Pablo Picasso
Nature Morte
Aquatint printed in colours on wove paper, c. 1965.
Signed in pencil, numbered from the edition of 200.
Plate 37.2 x 50 cm
Sheet: 55 x 65.6 cm.
Roy Lichtenstein
Venetian School I
Original Lithograph and screenprint in colours, 1996.
Signed and numbered form an edition of 50.
