
Brigitte Bardot
Screenprint in colours, 1968.
Signed and dated in pencil. An artist’s proof aside from the edition of 200. Printed on smooth white paper by the artist. Published by the artist, with his blind stamp.
(Sims Reed 22)
Image: 57.4 x 82.2 cm
Sheet: 58.6 x 89 cm
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Reclining Figure Relief Painting
Acrylic on cardboard and plywood, 1974.
(Knight 309)
17 x 27 cm
Ex. coll. Douglas Hall (1926-2019), the first Keeper of the Scottish National Gallery of Modern Art.
Discover more about this work here.
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Francine
Screenprint in colours, 1968.
Signed in pencil. Titled and dated in pencil, numbered from the edition of 200.
From ‘Baby, Baby, Wild Things’.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed 27).
S: 89.1 x 58.8 cm.
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Swamp Rat IV
Screenprint in colours, 1968
Signed in pencil and numbered from the edition of 150.
Printed on smooth white paper by the artist.
Published by the artist with his blindstamp.
(Sims Reed Gallery 17)
89 x 58.5 cm
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Lincoln Convertible
Screenprint in colours with silver leaf, 1963-2007
Signed in pencil and numbered from the edition of 60.
Printed on heavy wove paper by Advanced Graphics, London.
Published by Sims Reed, London.
110 x 150 cm
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Deceleration II
Screenprint in colours, 1968
Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 21)
89 x 58.5 cm
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Cheuelere Assigne
Screenprint in colours with diecut Mylar, 1968.
Signed, titled and dated in pencil. Numbered from the edition of 75. (There were also 10 Artist’s Proofs numbered I/X-X/X).
Printed on smooth wove paper by the artist.
Published by the artist with his blindstamp.
(Sims Reed Gallery 30)
S: 58.5 x 73.5 cm
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AAD
Screenprint in colours, 1968.
Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 18)
58.5 x 89 cm
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Second Skydiver
Screenprint in colours, 1968
Signed in pencil and numbered from the edition of 75. Titled and dated in pencil.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 12)
89 x 58.5 cm
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Third Skydiver
Screenprint in colours, 1968
Signed in pencil. Titled and dated in pencil. Numbered from the edition of 75.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 13)
89 x 58.5 cm
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Pendulum
Screenprint in colours, 1968
Signed in pencil and numbered from the edition of 75. Titled and dated in pencil.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 14)
89 x 58.8 cm
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Pennon
Screenprint in colours, 1968
Signed in pencil. Titled and dated in pencil. Numbered from the edition of 75.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery 15)
89 x 58.5 cm
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Plunger
Screenprint in colours, 1968
Signed in pencil and numbered from the edition of 75. Titled and dated in pencil.
Printed on smooth white paper by the artist.
Published by the artist with his blind stamp.
(Sims Reed Gallery l 16)
82.8 x 41 cm
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Two Tunnels
Screenprint in colours with diecut Mylar, 1968
Signed, titled and dated in pencil. Numbered from the edition of 75. (There were also 10 Artist’s Proofs numbered I/X-X/X).
Printed on smooth wove paper by the artist.
Published by the artist with his blindstamp.
(Sims Reed Gallery 31)
58.5 x 73.5 cm
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