Lithograph, 1939.
From the ‘Barcelona Series’.
Signed and dated in pencil, numbered from the edition of 5.
Printed in 1944 on Torras Juvinya paper.
Published by Joan Prats, Barcelona.
(Mourlot 30).
69 x 52 cm.

Lithograph, 1930.
From Tristan Tzara’s ‘L’Arbre des voyageurs’.
Signed and dated in pencil, a large paper proof. Inscribed ‘Pour Henriette, en toute amitié’.
Printed on wove paper and published by Editions de la Montagne, Paris, 1930.
(Cramer 1; Maeght 4).
35.8 x 27.3 cm.

Etching and aquatint in colours,1950. First printing of the plate that would become one of several deluxe Galerie Maeght greeting cards in 1951 produced by Miró. This being a signed proof with wide margins numberfed 5/5 and with a dedication to Louis G. Clayeux (1913 – 2007) a french art critic and dealer, who was director of Galerie Maeght from 1948 – 1965. The plate is from a group of 3 that Miró kept and later reworked in 1962 to illustrate a deluxe edition of Anti – Platon by Yves Bonnefoy. (Dupin 74; Cramer 77.)
Plate: 9.9 x 12.8 cm
Sheet: 33 x 25.4 cm

Etching and aquatint in colours, 1950. First printing of the plate that would become one of several deluxe Galerie Maeght greeting cards in 1951 produced by Miró. This being a signed proof with wide margins numberfed 0/5. The plate is from a group of 3 that Miro kept and later reworked in 1962 to illustrate a deluxe edition of Anti – Platon by Yves Bonnefoy. (Dupin 74; Cramer 77.)

Plate: 12.8 x 8.9 cm
Sheet: 33 x 25.4 cm

Etching with monotype colouring in magenta and azure green, 1950. Signed in pencil by Miró, numbered 0/5 and dated 1950 by him. A large paper proof commissioned by Aimé Maeght for a New Year’s card for 1951. With collector’s stamp of Pierre Meauzé. (Dupin 72). Plate: 127 x 89 mm; Sheet: 330 x 253 mm.

Etching with monotype colouring in yellow and ochre. Unsigned, numbered 10/50. Aimé Maeght’s New Year’s card for 1951. (Dupin 74). 123 x 151 mm., folded.

Etching with monotype colouring in dusk magenta. Signed in pencil by Miró, inscribed “à Louis G. Clayeux, cordialement”, and numbered 4/5. A large paper proof commissioned by Aimé Maeght for a New Year’s card for 1951. Louis Clayeux was a director of Gallery Maeght in Paris. With collector’s stamp of Pierre Meauzé. (Dupin 72). Plate: 98 x 128 mm; Sheet: 253 x 330 mm.

Etching with monotype colouring in turquoise green and lime green. Unsigned, numbered 42/50. Aimé Maeght’s New Year’s card for 1951. (Dupin 72). 123 x 151 mm., folded.

Etching with monotype colouring in azure green. Signed in pencil by Miró. Proof for a New Year’s Card commissioned by Aimé Maeght for 1951. With collector’s stamp of Pierre Meauzé. (Dupin 73). Plate: 88 x 128 mm; Sheet: 123 x 330 mm.