Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg tempera. On 300 gsm Velin Arches paper. Signed with initals, numbered and dated. Edition of 55, with 15 APs, 3 PPs and 1 B.A.T.
(Heenk 87)
160 x 137 cm.

Intaglio with carborundum and hand-colouring, 1990-91.
Initialled and dated in pencil, one of four printer’s proofs (aside from the edition of 55).
Printed by Jack Shirreff at the 107 Workshop, Wiltshire.
Published by Waddington Graphics, London. (Heenk 84)
120.5 x 149 cm

Soft-ground etching and aquatint, with hand-colouring, 1979-85.
Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crommelynck, Paris.
Published by Petersburg Press, New York.
(Heenk 54).
Printed from the same plate as ‘David’s Pool’ (cf. Heenk 55).
64.7 x 78.7 cm.

Etching and aquatint with carborundum in colours, with extensive hand-colouring, 1986, on wove paper, signed with initials and dated in pencil, numbered 26/100 (there were also ten artist’s proofs), Printed  by Jack Shirreff at the 107 Workshop, Wiltshire.
Published by Bernard Jacobson Ltd., London
Image & Sheet 47.5 x 64.5 cm.

Lift-ground etching, aquatint, carborundum and hand-colouring, 1992.
Signed and dated in pencil, numbered from the edition of 75. Commissioned by the Modern Art Museum of Fort Worth, Texas to celebrate their 100th anniversary, as part of the Centennial Print Project for the Artists’ Fund.
Printed by Jack Shirreff at the 107 Workshop, Wiltshire.
Published by the Modern Art Museum of Fort Worth, Texas.
(Heenk 90).
43.2 x 53.3 cm.