
Venice, Afternoon
Etching with aquatint and carborundum in colours, with hand-colouring, 1995.
From ‘Venetian Views’.
Signed and dated in pencil. Inscribed ‘proof’, a proof aside from the edition of 60.
Printed on 16 sheets of Arches wove paper by the 107 Workshop, Wiltshire.
Published by Alan Cristea Gallery, London.
(Heenk 94).
160 x 169.5
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Bleeding
Lithograph printed in colours, with hand-colouring, 1981-82.
Signed and dated in pencil, numbered from the edition of 100. Published by Cinda Sparling, New York.
91.6 x 152 cm
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Dawn
Etching with aquatint and hand-colouring, 2000-2002.
Signed with initials, dated and numbered from the edition of 60 in pencil.
Printed on Two Rivers handmade cotton paper by the 107 Workshop, Wiltshire.
Published by Alan Cristea Gallery, London.
(Heenk 106).
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Bed
Aquatint with hand-colouring, 1973-78.
Signed in pencil, inscribed ‘AP’, an artist’s proof (aside from the edition of 50).
Printed on cream Velin Arches mould-made paper.
Printed and published by Petersburg Studios, London.
(Heenk 45).
20.6 x 31 cm.
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David's Pool at Night
Soft-ground etching and aquatint, with hand-colouring, 1979-85.
Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crommelynck, Paris.
Published by Petersburg Press, New York.
(Heenk 54).
Printed from the same plate as ‘David’s Pool’ (cf. Heenk 55).
64.7 x 78.7 cm.
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