Etching with aquatint and carborundum in colours, with hand-colouring, 1995.
From ‘Venetian Views’.
Signed and dated in pencil. Inscribed ‘AP’, an artist’s proof aside from the edition of 60.
Printed on 16 sheets of Arches wove paper by the 107 Workshop, Wiltshire.
Published by Alan Cristea Gallery, London.

Overall size: 160 x 196.5 cm

(Heenk 93).

Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg tempera. On 300 gsm Velin Arches paper. Signed with initals, numbered and dated. Edition of 55, with 15 APs, 3 PPs and 1 B.A.T.
(Heenk 87)
160 x 137 cm.

Intaglio with carborundum and hand-colouring, 1990-91.
Initialled and dated in pencil, one of four printer’s proofs (aside from the edition of 55).
Printed by Jack Shirreff at the 107 Workshop, Wiltshire.
Published by Waddington Graphics, London. (Heenk 84)
120.5 x 149 cm

Soft-ground etching and aquatint, with hand-colouring, 1979-85.
Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crommelynck, Paris.
Published by Petersburg Press, New York.
(Heenk 54).
Printed from the same plate as ‘David’s Pool’ (cf. Heenk 55).
64.7 x 78.7 cm.