Celia Amused
Lithograph on Toyoshi #80, 1979.
Signed, dated and numbered from the edition of 100.
Printed and published by Gemini G.E.L., Los Angeles.
(Gemini 834).
102 x 76 cm.
Enlarge / Alternate views
Fires of Furious Desire
Etching and aquatint, 1961. Signed in pencil and numbered 3/75. Printed on Crisbrook handmade paper by Maurice Payne, London. Published by the Petersburg Press, London. (Tokyo 5)
Enlarge / Alternate views
Christopher Isherwood and Don Bachardy
Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs.
Proofed by Serge Lozingot and printed by Mrk Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186)
Enlarge / Alternate views
He Enquired after the Quality
Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy.
Signed and dated ‘66’ by the artist in pencil.
Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 49)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
Enlarge / Alternate views
In despair
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 57)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
Enlarge / Alternate views
One night
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 56)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
Enlarge / Alternate views
The beginning
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 55)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
Enlarge / Alternate views
Beautiful and white flowers
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 58)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
Enlarge / Alternate views
The Bell Tower
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 88 ; Tokyo 85).
Sheet: 45 x 31.2 cm
Image: 26.5 x 16.3 cm
Enlarge / Alternate views
The Rose and the Rose Stalk
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 78; Tokyo 75)
Sheet: 45 x 31.2 cm
Image: 27.8 x 12 cm
Enlarge / Alternate views
Rapunzel, Rapunzel, Let Down your Hair
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 86 ; Tokyo 83).
Sheet: 45 x 31.2 cm
Image: 25.7 x 24 cm
Enlarge / Alternate views
The Glass Mountain
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 98 ; Tokyo 95).
45 x 31.2 cm
Enlarge / Alternate views
Cold Water about to Hit the Prince
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 97 ; Tokyo 94).
Sheet: 45 x 31.2 cm
Image: 37.8 x 27.3 cm
Enlarge / Alternate views
The Boy Hidden in an Egg
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 72 ; Tokyo 69).
Sheet: 45 x 31.2 cm
Image: 20 x 17.5 cm
Enlarge / Alternate views
The Haunted Castle
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 92 ; Tokyo 89)
45 x 31.2 cm
34.3 x 20.5 cm
Enlarge / Alternate views
Rapunzel Growing in the Garden
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 81 ; Tokyo 78).
45 x 31.2 cm
Enlarge / Alternate views
The Tower Had one Window
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 85 ; Tokyo 82)
Sheet: 45 x 31.2 cm
Image: 34 x 15 cm
Enlarge / Alternate views
Inside the Castle
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 96 ; Tokyo 93)
Sheet: 45 x 31.2 cm
Image: 25.5 x 26.3 cm
Enlarge / Alternate views
The Older Rapunzel
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 84; Tokyo 81).
Sheet: 45 x 31.2 cm
Image: 22.2 x 24.5 cm
Enlarge / Alternate views
The Pot Boiling
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 77 ; Tokyo 74).
Sheet: 45 x 31.2 cm
Image: 17.5 x 20 cm
Enlarge / Alternate views
The Sexton Disguised as a Ghost Stood Still as Stone
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 90; Tokyo 87).
45 x 31.2 cm
Enlarge / Alternate views
The Princess in her Tower
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 71 ; Tokyo 68).
45 x 31.2 cm
Enlarge / Alternate views
He Tore Himself in Two
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 108; Tokyo 105)
45 x 31.2 cm.
Enlarge / Alternate views
The Glass Mountain Shattered
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 101; Tokyo 98)
Sheet: 45 x 31.2 cm
Image: 23 x 26.2 cm.
Enlarge / Alternate views
Pleading for the Child
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 106; Tokyo 103).
Sheet: 45 x 31.2 cm
Image: 26.2 x 25.5 cm
Enlarge / Alternate views
The Princess After Many Years in the Glass Mountain
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 102; Tokyo 99).
45 x 31.2 cm
Enlarge / Alternate views
Riding Around on a Cooking Spoon
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 107; Tokyo 104).
Sheet: 45 x 31.2 cm
Image: 16.2 x 25 cm
Enlarge / Alternate views
Gold
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unisgned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 103; Tokyo 100).
Sheet: 45 x 31.2 cm
Image: 34 x 26 cm
Enlarge / Alternate views
Old Rinkrank Threatens the Princess
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 99 ; Tokyo 96).
Sheet: 45 x 31.2 cm
Image: 23.3 x 26.5 cm
Enlarge / Alternate views
The Princess Searching
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 74; Tokyo 71).
Sheet: 45 x 31.2 cm
Image: 26.7 x 17 cm
Enlarge / Alternate views
Catherina Dorothea Viehmann
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 70; Tokyo 67).
Sheet: 45 x 31.2 cm
Image: 28 x 22.5 cm
Enlarge / Alternate views
The Cook
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 76 ; Tokyo 73).
Sheet: 45 x 31.2 cm
Image: 18.5 x 19.2 cm
Enlarge / Alternate views
The Church Tower and Clock
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 79 ; Tokyo 76).
Sheet: 45 x 31.2 cm
Image: 28.5 x 12.5 cm
Enlarge / Alternate views
The Enchantress with the Baby Rapunzel
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 83 ; Tokyo 80).
Sheet: 45 x 31.2 cm
Image: 27.2 x 23.2 cm
(SAC 83 ; Tokyo 80).
Enlarge / Alternate views
Corpses on Fire
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 91; Tokyo 88).
Sheet: 45 x 31.2 cm
Image: 26 x 24.4 cm
Enlarge / Alternate views
Straw on the Left, Gold on the Right
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 105; Tokyo 102).
Sheet: 45 x 31.2 cm
15 x 24.2 cm
Enlarge / Alternate views
The Enchantress in her Garden
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 82; Tokyo 79).
Sheet: 45 x 31.2 cm
Image: 23 x 13 cm
Enlarge / Alternate views
The Lathe and Fire
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 95 ; Tokyo 92).
Sheet: 45 x 31.2 cm
Image: 15 x 16.5 cm
Enlarge / Alternate views
The Carpenter's Bench, A Knife and Fire
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 93; Tokyo 90).
Sheet: 45 x 31.2 cm
Image: 15.5 x 17 cm
Enlarge / Alternate views