Lithograph on Toyoshi #80, 1979.
Signed, dated and numbered from the edition of 100.
Printed and published by Gemini G.E.L., Los Angeles.
(Gemini 834).
102 x 76 cm.

Etching and aquatint, 1961. Signed in pencil and numbered 3/75. Printed on Crisbrook handmade paper by Maurice Payne, London. Published by the Petersburg Press, London. (Tokyo 5)

Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs.

Proofed by Serge Lozingot and printed by Mrk Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186)

Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy.
Signed and dated ‘66’ by the artist in pencil.
Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 49)

Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm

Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.

Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 57)

Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm

Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.

Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 56)

Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm

Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 55)

Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm

Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 58)

Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 88 ; Tokyo 85).
Sheet: 45 x 31.2 cm
Image: 26.5 x 16.3 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 78; Tokyo 75)
Sheet: 45 x 31.2 cm
Image: 27.8 x 12 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 86 ; Tokyo 83).
Sheet: 45 x 31.2 cm
Image: 25.7 x 24 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 98 ; Tokyo 95).
45 x 31.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 97 ; Tokyo 94).
Sheet: 45 x 31.2 cm
Image: 37.8 x 27.3 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 72 ; Tokyo 69).
Sheet: 45 x 31.2 cm
Image: 20 x 17.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 92 ; Tokyo 89)
45 x 31.2 cm
34.3 x 20.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 81 ; Tokyo 78).
45 x 31.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 85 ; Tokyo 82)
Sheet: 45 x 31.2 cm
Image: 34 x 15 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 96 ; Tokyo 93)
Sheet: 45 x 31.2 cm
Image: 25.5 x 26.3 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 84; Tokyo 81).
Sheet: 45 x 31.2 cm
Image: 22.2 x 24.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 77 ; Tokyo 74).
Sheet: 45 x 31.2 cm
Image: 17.5 x 20 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 90; Tokyo 87).
45 x 31.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 71 ; Tokyo 68).
45 x 31.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 108; Tokyo 105)
45 x 31.2 cm.

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 101; Tokyo 98)
Sheet: 45 x 31.2 cm
Image: 23 x 26.2 cm.

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 106; Tokyo 103).
Sheet: 45 x 31.2 cm
Image: 26.2 x 25.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 102; Tokyo 99).
45 x 31.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 107; Tokyo 104).
Sheet: 45 x 31.2 cm
Image: 16.2 x 25 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unisgned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 103; Tokyo 100).
Sheet: 45 x 31.2 cm
Image: 34 x 26 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 99 ; Tokyo 96).
Sheet: 45 x 31.2 cm
Image: 23.3 x 26.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 74; Tokyo 71).
Sheet: 45 x 31.2 cm
Image: 26.7 x 17 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 70; Tokyo 67).
Sheet: 45 x 31.2 cm
Image: 28 x 22.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 76 ; Tokyo 73).
Sheet: 45 x 31.2 cm
Image: 18.5 x 19.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 79 ; Tokyo 76).
Sheet: 45 x 31.2 cm
Image: 28.5 x 12.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 83 ; Tokyo 80).
Sheet: 45 x 31.2 cm
Image: 27.2 x 23.2 cm
(SAC 83 ; Tokyo 80).

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 91; Tokyo 88).
Sheet: 45 x 31.2 cm
Image: 26 x 24.4 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 105; Tokyo 102).
Sheet: 45 x 31.2 cm
15 x 24.2 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 82; Tokyo 79).
Sheet: 45 x 31.2 cm
Image: 23 x 13 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 95 ; Tokyo 92).
Sheet: 45 x 31.2 cm
Image: 15 x 16.5 cm

Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 93; Tokyo 90).
Sheet: 45 x 31.2 cm
Image: 15.5 x 17 cm