![Celia Amused HOCKNEY](https://gallery.simsreed.com/wp-content/uploads/2023/01/Celia-Amused-HOCKNEY-1000x1000.jpg)
Celia Amused
Lithograph on Toyoshi #80, 1979.
Signed, dated and numbered from the edition of 100.
Printed and published by Gemini G.E.L., Los Angeles.
(Gemini 834).
102 x 76 cm.
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![HOCKNEY Fires of Furious Desire final](https://gallery.simsreed.com/wp-content/uploads/2022/08/HOCKNEY-Fires-of-Furious-Desire-final-1000x708.jpg)
Fires of Furious Desire
Etching and aquatint, 1961. Signed in pencil and numbered 3/75. Printed on Crisbrook handmade paper by Maurice Payne, London. Published by the Petersburg Press, London. (Tokyo 5)
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![HOCKNEY David, Still Life Smaller file](https://gallery.simsreed.com/wp-content/uploads/2022/08/HOCKNEY-David-Still-Life-Smaller-file-1000x714.jpg)
Still Life
Etching and aquatint, 1969. Signed in pencil and numbered 1/75. Printed on J Green mould-made paper by Maurice Payne, London. Published by Petersburg Press, London (Tokyo 108)
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![Hockney_Isherwood smaller](https://gallery.simsreed.com/wp-content/uploads/2022/05/Hockney_Isherwood-smaller-1000x759.jpg)
Christopher Isherwood and Don Bachardy
Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs.
Proofed by Serge Lozingot and printed by Mrk Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186)
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![LR cropped HOCKNEY He enquired after the… Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-He-enquired-after-the...-Cavafy-1000x1378.jpg)
He Enquired after the Quality
Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy.
Signed and dated ‘66’ by the artist in pencil.
Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 49)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![LR cropped HOCKNEY In Despair Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-In-Despair-Cavafy-1-1000x1436.jpg)
In despair
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 57)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![LR cropped HOCKNEY One Night Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-One-Night-Cavafy-1-1000x1371.jpg)
One night
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 56)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![LR cropped HOCKNEY The Beginning Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-The-Beginning-Cavafy-1-1000x1439.jpg)
The beginning
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 55)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![LR cropped HOCKNEY The Shop Window of a… Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-The-Shop-Window-of-a...-Cavafy-1-1000x1391.jpg)
The shop window of a tobacco store
Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 53)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![LR cropped HOCKNEY To Remain Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-To-Remain-Cavafy-1000x1358.jpg)
To Remain
Etching and aquatint, 1966. From edition E of Illustrations for Fourteen Poems from C. P. Cavafy.
Signed and dated ‘66’ by the artist in pencil.
Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 50)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![LR cropped HOCKNEY Beauitufl and White Flowers Cavafy](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-Beauitufl-and-White-Flowers-Cavafy-1-1000x1420.jpg)
Beautiful and white flowers
Etching and aquatint, 1966. From Edition E of Illustrations for Fourteen Poems for Constantine Cavafy.
Signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number.
Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd.
Numbered in roman numerals from the edition of 25 + 5 APs in Edition E.
Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London.
Published by Editions Alecto in 1967.
(Tokyo 58)
Image: 35 x 22.5 cm
Paper: 64 x 51.5 cm
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![Boy Hidden in a Fish lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/Boy-Hidden-in-a-Fish-lower-res-1000x1442.jpg)
The Boy Hidden in a Fish
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 73 ; Tokyo 70)
Sheet: 45 x 31.2 cm
Image: 23.5 x 26.5 cm
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![The Bell Tower lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Bell-Tower-lower-res-1000x1406.jpg)
The Bell Tower
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 88 ; Tokyo 85).
Sheet: 45 x 31.2 cm
Image: 26.5 x 16.3 cm
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![The Rose lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Rose-lower-res-1000x1400.jpg)
The Rose and the Rose Stalk
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 78; Tokyo 75)
Sheet: 45 x 31.2 cm
Image: 27.8 x 12 cm
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![Rapunzel Let Down your Hair lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/Rapunzel-Let-Down-your-Hair-lower-res-1000x1355.jpg)
Rapunzel, Rapunzel, Let Down your Hair
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 86 ; Tokyo 83).
Sheet: 45 x 31.2 cm
Image: 25.7 x 24 cm
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![The Glass Mountain lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Glass-Mountain-lower-res-1000x1389.jpg)
The Glass Mountain
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 98 ; Tokyo 95).
45 x 31.2 cm
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![Cold Water lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/Cold-Water-lower-res-1000x1372.jpg)
Cold Water about to Hit the Prince
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 97 ; Tokyo 94).
Sheet: 45 x 31.2 cm
Image: 37.8 x 27.3 cm
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![The Boy Hidden in an Egg lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Boy-Hidden-in-an-Egg-lower-res-1000x1396.jpg)
The Boy Hidden in an Egg
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 72 ; Tokyo 69).
Sheet: 45 x 31.2 cm
Image: 20 x 17.5 cm
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![HOCKNEY Grimm The Haunted Castle](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Haunted-Castle-1000x1375.jpg)
The Haunted Castle
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 92 ; Tokyo 89)
45 x 31.2 cm
34.3 x 20.5 cm
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![HOCKNEY Grimm Rapunzel Growing in the Garden](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Rapunzel-Growing-in-the-Garden-1000x1403.jpg)
Rapunzel Growing in the Garden
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 81 ; Tokyo 78).
45 x 31.2 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Tower had one Window](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Tower-had-one-Window-1000x1366.jpg)
The Tower Had one Window
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 85 ; Tokyo 82)
Sheet: 45 x 31.2 cm
Image: 34 x 15 cm
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![HOCKNEY Grimm Inside the Castle](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Inside-the-Castle-1000x1371.jpg)
Inside the Castle
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 96 ; Tokyo 93)
Sheet: 45 x 31.2 cm
Image: 25.5 x 26.3 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Older Rapunzel](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Older-Rapunzel-1000x1378.jpg)
The Older Rapunzel
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 84; Tokyo 81).
Sheet: 45 x 31.2 cm
Image: 22.2 x 24.5 cm
Enlarge / Alternate views
![The Pot boilling lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Pot-boilling-lower-res-1000x1369.jpg)
The Pot Boiling
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 77 ; Tokyo 74).
Sheet: 45 x 31.2 cm
Image: 17.5 x 20 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Sexton Disguised as a Ghost Stood Still as a Stone](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Sexton-Disguised-as-a-Ghost-Stood-Still-as-a-Stone-1000x1394.jpg)
The Sexton Disguised as a Ghost Stood Still as Stone
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 90; Tokyo 87).
45 x 31.2 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Princes in her Tower](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Princes-in-her-Tower-1000x1387.jpg)
The Princess in her Tower
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 71 ; Tokyo 68).
45 x 31.2 cm
Enlarge / Alternate views
![HOCKNEY Grimm He Tore Himself in Two](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-He-Tore-Himself-in-Two-1000x1361.jpg)
He Tore Himself in Two
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 108; Tokyo 105)
45 x 31.2 cm.
Enlarge / Alternate views
![HOCKNEY Grimm The Glass Mountain Shattered](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Glass-Mountain-Shattered-1000x1429.jpg)
The Glass Mountain Shattered
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 101; Tokyo 98)
Sheet: 45 x 31.2 cm
Image: 23 x 26.2 cm.
Enlarge / Alternate views
![HOCKNEY Grimm Pleading for the Child](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Pleading-for-the-Child-1000x1389.jpg)
Pleading for the Child
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 106; Tokyo 103).
Sheet: 45 x 31.2 cm
Image: 26.2 x 25.5 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Princess After Many](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Princess-After-Many-1000x1413.jpg)
The Princess After Many Years in the Glass Mountain
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 102; Tokyo 99).
45 x 31.2 cm
Enlarge / Alternate views
![HOCKNEY Grimm Riding Around on a Cooking Spoon](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Riding-Around-on-a-Cooking-Spoon-1000x1374.jpg)
Riding Around on a Cooking Spoon
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unsigned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 107; Tokyo 104).
Sheet: 45 x 31.2 cm
Image: 16.2 x 25 cm
Enlarge / Alternate views
![HOCKNEY Grimm Gold](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Gold-1000x1394.jpg)
Gold
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early unisgned printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 103; Tokyo 100).
Sheet: 45 x 31.2 cm
Image: 34 x 26 cm
Enlarge / Alternate views
![HOCKNEY Grimm Old Rinkrank Threatens the Princess](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Old-Rinkrank-Threatens-the-Princess-1000x1419.jpg)
Old Rinkrank Threatens the Princess
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 99 ; Tokyo 96).
Sheet: 45 x 31.2 cm
Image: 23.3 x 26.5 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Princess Searching](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Princess-Searching-1000x1399.jpg)
The Princess Searching
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 74; Tokyo 71).
Sheet: 45 x 31.2 cm
Image: 26.7 x 17 cm
Enlarge / Alternate views
![Catherina lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/Catherina-lower-res-1000x1422.jpg)
Catherina Dorothea Viehmann
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 70; Tokyo 67).
Sheet: 45 x 31.2 cm
Image: 28 x 22.5 cm
Enlarge / Alternate views
![The Cook_lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Cook_lower-res-1000x1429.jpg)
The Cook
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 76 ; Tokyo 73).
Sheet: 45 x 31.2 cm
Image: 18.5 x 19.2 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Church Tower and Clock](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Church-Tower-and-Clock-1000x1415.jpg)
The Church Tower and Clock
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 79 ; Tokyo 76).
Sheet: 45 x 31.2 cm
Image: 28.5 x 12.5 cm
Enlarge / Alternate views
![The Enchantress with the baby Rapunzel_lower res](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Enchantress-with-the-baby-Rapunzel_lower-res-1000x1393.jpg)
The Enchantress with the Baby Rapunzel
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 83 ; Tokyo 80).
Sheet: 45 x 31.2 cm
Image: 27.2 x 23.2 cm
(SAC 83 ; Tokyo 80).
Enlarge / Alternate views
![HOCKNEY Grimm Corspes Burning](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Corspes-Burning-1000x1404.jpg)
Corpses on Fire
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 91; Tokyo 88).
Sheet: 45 x 31.2 cm
Image: 26 x 24.4 cm
Enlarge / Alternate views
![HOCKNEY Grimm Straw on the Left, Gold on the Right](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Straw-on-the-Left-Gold-on-the-Right-1000x1363.jpg)
Straw on the Left, Gold on the Right
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 105; Tokyo 102).
Sheet: 45 x 31.2 cm
15 x 24.2 cm
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![HOCKNEY Grimm The Enchantress in Her Garden](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Enchantress-in-Her-Garden-1000x1399.jpg)
The Enchantress in her Garden
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 82; Tokyo 79).
Sheet: 45 x 31.2 cm
Image: 23 x 13 cm
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![HOCKNEY Grimm The Lathe and Fire](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Lathe-and-Fire-1000x1324.jpg)
The Lathe and Fire
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 95 ; Tokyo 92).
Sheet: 45 x 31.2 cm
Image: 15 x 16.5 cm
Enlarge / Alternate views
![HOCKNEY Grimm The Carpenter’s Bench, A Knife and Fire](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Carpenters-Bench-A-Knife-and-Fire-1000x1430.jpg)
The Carpenter's Bench, A Knife and Fire
Etching, softground etching, 1969 printed in 1970.
From: Illustrations for Six Fairy Tales From the Brothers Grimm.
An early printer’s proof issued to Rudolf Rieser, the binder who created the leather bindings for the book. Printed on handmade paper by W.S Hodgkinson, Bath. Made especially for this edition with the watermark ‘DH. PP’.
All the plates were issued without text and are therefore on full sheets.
(SAC 93; Tokyo 90).
Sheet: 45 x 31.2 cm
Image: 15.5 x 17 cm
Enlarge / Alternate views
![Celia Amused](https://gallery.simsreed.com/wp-content/uploads/2023/01/Celia-Amused-HOCKNEY.jpg)
![Fires of Furious Desire](https://gallery.simsreed.com/wp-content/uploads/2022/08/HOCKNEY-Fires-of-Furious-Desire-final.jpg)
![Still Life](https://gallery.simsreed.com/wp-content/uploads/2022/08/HOCKNEY-David-Still-Life-Smaller-file.jpg)
![](https://gallery.simsreed.com/wp-content/uploads/2022/05/Hockney_Isherwood-smaller-480x364.jpg)
![](https://gallery.simsreed.com/wp-content/themes/simsreedgallery/assets/images/placeholder-sq.png)
![He Enquired after the Quality](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-He-enquired-after-the...-Cavafy.jpg)
![In despair](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-In-Despair-Cavafy-1.jpg)
![One night](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-One-Night-Cavafy-1.jpg)
![The beginning](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-The-Beginning-Cavafy-1.jpg)
![The shop window of a tobacco store](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-The-Shop-Window-of-a...-Cavafy-1.jpg)
![To Remain](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-To-Remain-Cavafy.jpg)
![Beautiful and white flowers](https://gallery.simsreed.com/wp-content/uploads/2022/09/LR-cropped-HOCKNEY-Beauitufl-and-White-Flowers-Cavafy-1.jpg)
![The Bell Tower](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Bell-Tower-lower-res-scaled.jpg)
![The Rose and the Rose Stalk](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Rose-lower-res-scaled.jpg)
![Rapunzel, Rapunzel, Let Down your Hair](https://gallery.simsreed.com/wp-content/uploads/2023/12/Rapunzel-Let-Down-your-Hair-lower-res-scaled.jpg)
![The Glass Mountain](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Glass-Mountain-lower-res-scaled.jpg)
![Cold Water about to Hit the Prince](https://gallery.simsreed.com/wp-content/uploads/2023/12/Cold-Water-lower-res-scaled.jpg)
![The Haunted Castle](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Haunted-Castle-scaled.jpg)
![Rapunzel Growing in the Garden](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Rapunzel-Growing-in-the-Garden-scaled.jpg)
![The Tower Had one Window](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Tower-had-one-Window-scaled.jpg)
![Inside the Castle](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Inside-the-Castle-scaled.jpg)
![The Older Rapunzel](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Older-Rapunzel-scaled.jpg)
![The Pot Boiling](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Pot-boilling-lower-res-scaled.jpg)
![The Sexton Disguised as a Ghost Stood Still as Stone](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Sexton-Disguised-as-a-Ghost-Stood-Still-as-a-Stone.jpg)
![The Princess in her Tower](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Princes-in-her-Tower-scaled.jpg)
![He Tore Himself in Two](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-He-Tore-Himself-in-Two-scaled.jpg)
![The Glass Mountain Shattered](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Glass-Mountain-Shattered-scaled.jpg)
![Pleading for the Child](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Pleading-for-the-Child-scaled.jpg)
![The Princess After Many Years in the Glass Mountain](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Princess-After-Many-scaled.jpg)
![Riding Around on a Cooking Spoon](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Riding-Around-on-a-Cooking-Spoon-scaled.jpg)
![Gold](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Gold-scaled.jpg)
![Old Rinkrank Threatens the Princess](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Old-Rinkrank-Threatens-the-Princess-scaled.jpg)
![The Princess Searching](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Princess-Searching-scaled.jpg)
![Catherina Dorothea Viehmann](https://gallery.simsreed.com/wp-content/uploads/2023/12/Catherina-lower-res-scaled.jpg)
![The Cook](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Cook_lower-res-scaled.jpg)
![The Church Tower and Clock](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Church-Tower-and-Clock-scaled.jpg)
![The Enchantress with the Baby Rapunzel](https://gallery.simsreed.com/wp-content/uploads/2023/12/The-Enchantress-with-the-baby-Rapunzel_lower-res-scaled.jpg)
![Corpses on Fire](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Corspes-Burning-scaled.jpg)
![Straw on the Left, Gold on the Right](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-Straw-on-the-Left-Gold-on-the-Right-scaled.jpg)
![The Enchantress in her Garden](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Enchantress-in-Her-Garden-scaled.jpg)
![The Lathe and Fire](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Lathe-and-Fire.jpg)
![The Carpenter's Bench, A Knife and Fire](https://gallery.simsreed.com/wp-content/uploads/2023/12/HOCKNEY-Grimm-The-Carpenters-Bench-A-Knife-and-Fire-scaled.jpg)