Aquatint, 2018.
Signed and dated in pencil, numbered from the edition of 20
(total edition includes 5 artist’s proofs).
Printed on Arches Platine paper.
The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
Plate: 30 x 41 cm
Sheet: 41.6 x 51 cm.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
Plate: 76.2 x 60.9 cm
Sheet: 94.6 x 77.4 cm

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The two coloured plates were hand-drawn by the artist, editioned by Maurice Payne, New York.
Plate: 76.2 x 60.9 cm
Sheet: 94.6 x 77.4 cm

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs)..
Printed on Somerset Velvet Soft White paper.
The plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm

This print has been used by Sir Paul McCartney for the cover of his album Memory Almost Full, released in 2007.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm.

Aquatint, 2006.
Signed and dated in pencil, numbered from the edition of 15
(total edition includes 5 artist’s proofs).
Printed on Somerset Velvet Soft White paper.
The plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
I: 76.2 x 60.9 cm.
S: 94.6 x 77.4 cm.

Oil on paper, 2017.
Sheet: 48 x 64 cm.

Linocut and woodcut, 2018.
Signed and dated in pencil, numbered from the edition of 20
(total edition includes 5 artist’s proofs).
Printed on Zerkall paper and published by the artist.
Sheet: 67 x 49 cm.

Gouache and pencil on paper, 2017.
Sheet: 48 x 64 cm.

Etching, 2016.
Signed and dated in pencil, numbered from the edition of 10.
Printed on Hahnemühle paper.
The copper plate was transferred from a woodblock hand-drawn by the artist, editioned by Maurice Payne, New York.
Sheet: 30.4 x 35 cm.

Signed and dated in pencil, numbered from the edition of 40
(total edition includes 5 artist’s proofs).
Printed on Arches Platine paper.
The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
Plate: 30 x 41 cm
Sheet: 41.6 x 51 cm.

Gouache and pencil on paper, 2017.
Sheet: 64 x 48 cm.

Ink on paper, 2017.
S: 32 x 48 cm.