
Untitled
Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 78.7 x 109.2 cm
Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.
Enlarge / Alternate views

Untitled
Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 58.4 x 81.3 cm
Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.
Enlarge / Alternate views

Untitled
Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 58.4 x 78.7 cm
Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.
Enlarge / Alternate views

Untitled
Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 58.4 x 78.7 cm
Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.
Enlarge / Alternate views





