Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 78.7 x 109.2 cm

Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.

Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 58.4 x 81.3 cm

Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.

Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 58.4 x 78.7 cm

Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.

Monotype in oil on Lanaquarelle paper, 2018.
Signed verso.
Published by Two Palms, New York.
S: 58.4 x 78.7 cm

Of the mediums that Brown employs, she considers monotypes as closest to her paintings. When exploring a new subject in her paintings, she will often spend time creating monotypes first. Using oil paint on Plexiglas, Brown’s unique monotypes have a fluid and spontaneous quality to them. They revisit compositions and motifs that have appeared in past paintings.