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Foreword

Sarah Graham's work is uniquely beautiful. Her twisting, flowing, sensuous flower forms, executed with a restrained elegance yet a contemporary brio and layered with ravishing colour, have an echo of Isnik art. Some have an even more distant orient form which influences her pale delicate drawing, while  others, executed in bold chiaroscuro, recall Japanese ink paintings.

Here is an artist who knows her metier intimately and faultlessly, and who has studied her subject with diligence and devotion. Sarah's paintings and drawings are a delight to the eye, mind and heart.

- Nicky Haslam

 

Quotations

“Her wild and wonderful studies have a basis of intense observation. Sarah has taken her   passion for plants to a new level, dramatically pushing the envelope of botanical art.” 

-Dr Shirley Sherwood

 

“Sarah Graham's pictures are bold, brave, and beautiful, and look fantastic in contemporary or traditional settings, I highly recommend them.”

-Jane Churchill

 

“Sarah's work transports me into another world, where nature appears dangerous, alluring and inviting. This happens so quickly that it is disarming and it is a tribute to her unique technical skill. Where else can I be so bowled over?” 

-Crispin Odey

 

“We discovered Sarah Graham over a year ago and absolutely love her work. We have many of her pieces and also invited her to be artist in residence in Greece which was a great success” 

-Mrs Leonardo Goulandris

 

“[When I first met Sarah Graham] I instantly liked her, but had no idea of her talent, revealed here by these wonderfully fluid, giant scale plant studies. Her vegetables are  sprouting with vigorous life, dashed down with a confident stroke and watery palette. They would have a   terrific effect on any room in which they were shown.” 

-Jessica Hayns, The World of Interiors

 

“Sarah Graham’s drawings are wonderfully bold and vigorous, sometimes heraldic, sometimes like plantforms escaping from a William Morris tapestry twisting and bursting into lusty life, the palette strange and subtle.” 

-Christopher Gibbs