Visage

Lithograph (1928)

Signed in pencil and numbered from the edition of 25. Printed on chine colle by Imprimerie Marchizet, Paris. Published by Galerie Percier, Paris.

(Baer 243; Bloch 95; Cramer 16)

26.9 x 21.1 cm

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Les Amies ou Deux Femmes III

Drypoint (1965)

Signed in pencil and numbered from the edition of 50. Printed on wove paper. Published by Galerie Louise Leiris, Paris.

(Bloch 1202; Baer 1168)

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Peintre et Modele de dos avec un Spectateur

Etching (1963)

Signed in pencil and numbered from the edition of 50. Printed on wove paper. Published by Galerie Louise Leiris, Paris.

(Bloch 1132; Baer 1129)

11.4 x 14 cm

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Jeune Femme Laissant Tomber Sa Robe

Aquatint and drypoint (1968)

Signed in pencil and numbered from the edition of 50. From: 347 Series. Printed on Rives paper by Crommelynck, Paris. Published by Galerie Louise Leiris, Paris.

(Bloch 1652; Baer 1668)

35 x 28 cm

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Femme au Balcon

Lithograph (1960)

Signed in red crayon and numbered from the edition of 145.

Mourlot 335

25.9 x 19.7 cm

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Le Crapaud

Lithograph (1949)

Signed in red crayon. Numbered 20/50 in pencil. Printed on Arches paper by Mourlot, Paris.

(Bloch 585; Mourlot 144)

49.6 x 65.2 cm

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Tête de femme

Etching on copper (1933)

Signed in pencil and inscribed ‘epreuve d’artist’. One of 15 Artist’s Proofs before the edition of 50. Printed on Arches paper in 1961 by Frelaut, Paris.

(Bloch 256; Baer 295 Bb)

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Personnages masques, femme oiseau

Etching and aquatint (1934)

Signed in pencil. From the delux edition of 50 on wide margin paper (the total edition was 303). Printed on Montval paper by Lacourier, Paris. Published by Vollard, Paris.

(Bloch 227; Baer 441 Bc)

50 x 38.5 cm

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Scène bacchique au Minotaure

Etching (1933)

Signed in pencil. From the edition of 250. From the Suite Vollard. Printed on Montval paper by Lacouriere, Paris. Published by Vollard, Paris.

(Bloch 192; Baer 351/III/B/d)

34 x 44.7 cm

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Peintre avec un Modele Barbu et une Spectatrice

Etching (1963)

Signed in pencil and inscribed ‘epreuves d’artiste’. One of 15 proofs aside from the edition of 50. printed on Rives paper by Crommelynck, Paris. Published by Louise Leiris, Paris.

(Baer 1111; Bloch 1117)

45.3 x 55.5 cm

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Tete de Femme tournee a droite

Soft Ground etching (1933)

Stamp signed and numbered in pencil from the edition of 50. Printed in 1965 on laid paper. Published by Louise Leiris, Paris.
29.7 x 22.5 cm

(Bloch 252; Baer 290)

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Buste de femme au fichu

Etching and aquatint (1939)

Signed in pencil and inscribed ‘Bon a Tirer’. A proof before the edition of 69. Printed on Arches paper by Frelaut, Paris. The edition was published by Galerie Louise Leiris, Paris.

(Bloch 324)

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Le collier

Drypoint (1923)

Signed in pencil and inscribed ‘Bon a Tirer’. A proof before steel facing, aside from the ediion of 68. Printed on Arches paper by Frelaut, Paris. The edition was published by Galerie Louise Leiris, Paris.

(Bloch 58; Baer 103)

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Femme Couchee

Linoleum cut printed in colours (1959-60)

Signed in pencil. One of 20 artists proofs aside from the edition of 50. Published by Louise Leiris, Paris.

(Bloch 916)

62.1 x 75.1 cm

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Profil de femme regardant a droite

Lithograph (1963)

One of only ten known impressions. Printed on Arches wove paper by Mourlot, Paris. This print was never published or editioned.

Provenance: P. Picasso; Marina Picasso Collection with her oval stamp on the verso.

(Mourlot 391)

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