Eduardo Paolozzi
Turing 1 & 2
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 112 cm
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Toads (copulating)
Plaster sculpture (1994)
Signed in pencil and inscribed ‘For Alexander’ underneath.
H 10.5 x W 11 x D 12.5 cm
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Duck Farm II (colour)
Lithograph with extensive hand colouring (1997)
Printed on thick wove paper with the Paolozzi Estate stamp, verso.
35 x 49.9 cm
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Duck Farm (colour)
Lithograph with extensive hand colouring (1997)
Printed on thick wove paper with the Paolozzi Estate stamp, verso.
34.7 x 49.9 cm
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Duck Farm III (colour)
Lithograph with extensive hand colouring (1997)
Printed on thick wove paper with the Paolozzi Estate stamp, verso.
34.7 x 49.7 cm
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Duck Farm IV (colour)
Lithograph with extensive hand colouring (1997)
Printed on thick wove paper with the Paolozzi Estate stamp, verso.
34.7 x 59.7 cm
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Duck Farm IV
Lithograph (1997)
Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.
34.9 x 49.9 cm
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Duck Farm III
Lithograph (1997)
Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.
35.1 x 50.1 cm
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Duck Farm II
Lithograph (1997)
Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.
35 x 50.4 cm
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Duck Farm
Lithograph (1997)
Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.
35 x 50.4 cm
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Philidelphia Prints (black, blue background)
Lithograph printed in colours (1971)
Printed on thick blue paper. A colour variant relating to the Philadelphia Print, which was executed for the Museum of Modern Art, Philadelphia, in connection to the exhibition - ‘Silkscreen: History of the Medium’ 1971-72’.
56.4 x 40.2 cm
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Philidelphia Prints (white, cream backround)
Lithograph printed in colours (1971)
Printed on thick cream paper. A colour variant relating to the Philadelphoa Print, which was executed for the Museum of Modern Art, Philadelphia, in connection to the exhibition - ‘Silkscreen: History of the Medium’ 1971-72’.
56.3 x 40.4 cm
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Philidelphia Prints (white, blue background)
Lithograph printed in colours (1971)
Printed on thick blue paper. A colour varriant relating to the Philadelphoa Print, which was executed for the Museum of Modern Art, Philadelphia, in connection to the exhibition - ‘Silkscreen: History of the Medium’ 1971-72’.
56.4 x 40.4 cm
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Untitled
Original collage (1982)
Signed and dated in pencil. With the Paolozzi Estate stamp verso.
21.1 x 29.8 cm
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Untitled
Original collage (1982)
Signed and dated in pencil. With the Paolozzi Estate stamp verso.
21.1 x 29.8 cm
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(Study for Duck Farm)
Original collage (1997)
With the Paolozzi Estate stamp verso.
42 x 29.8 cm
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Untitled
Original collage (1994)
Dated ‘Aug. 1994 and inscribed ‘Dunsany Castle’ in ink. With the Paolozzi Estate stamp verso.
21.5 x 32.7 cm
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Untitled
Original collage (1994)
Dated ‘Aug. 1994’ and inscribed ‘Dunsay’ in ink. With the Paolozzi Estate stamp verso.
21.6 x 32.2 cm
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Untitled
Screenprint in white over printed colour ground (1995)
Signed in pencil and numbered from the edition of 16. With the Paolozzi Estate stamp, verso.
40 x 31.3 cm
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As Is When:Poster
Screenprint in colours (1965)
Printed on HPJ Green paper by Kelpra Studios, London. Published by Editions Alecto, London.
(Miles 23)
96 x 66 cm
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As is When: Reality
Screenprint in colours (1965)
Signed in pencil and numbered 48 from the edition of 65. Printed on HPJ Green paper by Kelpra Studios, London. Published by Editions Alecto, London.
(Miles 27)
99 x 68.5 cm
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As is When: Assembling reminders for a particular purpose
Screenprint in colours (1965)
Signed in pencil and numbered 48 from the edition of 65. Printed on HPJ Green paper by Kelpra Studios, London. Published by Editions Alecto, London.
(Miles 32)
99 x 68.5 cm
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Calcium Light Night
(1975-6)
The complete portfolio of nine screenprints in colours. Each signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 177-185)
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Calcium Light Night: Nettleton
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 185)
99 x 69 cm
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Calcium Light Night: Calcium Night Light
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 184)
99 x 69 cm
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Calcium Light Night: Four German Songs
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 183)
99 x 69 cm
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Calcium Light Night: From Early Italian Poets
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 182)
99 x 69 cm
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Calcium Light Night: Aeschylus and Socrates
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 181)
99 x 69 cm
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Calcium Light Night: Allegro Moderato Fireman’s Paradise
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 180)
99 x 69 cm
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Calcium Light Night: Central Park In the Dark Some 40 Years Ago
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 179)
99 x 69 cm
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Calcium Light Night: Largo to Presto
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
99 x 69 cm
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Calcium Light Night: The Children’s Hour
Screenprint in colours (1975-76)
Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.
(Miles 177)
99 x 69 cm
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The Turing Suite
(2000)
The complete portfolio of eight screenprints in colours. Each signed in pencil and numbered from the edition of 50. Printed on Somerset paper.
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Turing 1 & 2
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 112 cm
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Turing 3
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Turing 4
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Turing 5
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Turing 6
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Turing 7
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Turing 8
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Turing 9
Screenprint in colours (2000)
Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.
76 x 56 cm
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Selasa
Screenprint in colours (1975)
Printed in an unlimited edition (aprox. 3500) Printed on British cartridge 200 gsm paper by Leslie Hosgood and Robert Jones at Megara Screenprinting. Published by PSA supplies, Department of the Environment, by Editions Alecto.
(AE 897)
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Multi Chanel Prototype
Screenprint in colours (1969-70)
Signed in pencil and numbered from the edition of 120 (each sheet in individual colourway). Printed by Petersburg Press, London.
(Miles 52)
84 x 60 cm
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Catalogue for Harmony
Screenprint in colours (1974)
Signed in pencil and numbered from the edition of 125. Printed at the atelier Boer und Kahler, Hamburg. Published by the Hamburg Kunstverein.
(Miles 172)
90 x 65 cm
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Perpetuum Mobile
Screenprint in colours (1975)
Signed in pencil and numbered from the edition of 100. Printed on Kupferdruck-Butten 300g paper by Atelier Boer und Kahler, Hamburg. Published by Neuer Berliner Kunstverein.
(Miles 186)
90 x 70 cm
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BUNK
(1972)
Boxed set of 45 screenprints, each individually laid to papers and board in the style of a collage. Published in an edition of 100 by Snail Chemicals, London.
With five prints signed and dated in pencil by Paolozzi. -
Moonstrips Empire News
The complete boxed set of 100 colour screenprints (1967)
Printed on various paper stocks, 1967. Housed in its original formed pink acrylic box. Published in an edition of 500 by Editions Alecto, London. Eight of the prints are signed and numbered in pencil by Paolozzi.
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BUNK (baby collage)
Lithograph with varnish, laid on board in the style of a collage (1972)
Signed in pencil. Published in an edition of 100 by Snail Chemicals, London.
38.4 x 27.9 cm
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BUNK (man with car)
Lithograph with varnish, laid on board in the style of a collage (1972)
Signed in pencil. Published in an edition of 100 by Snail Chemicals, London.
29.8 x 21.3 cm
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BUNK (man with proesthetic arm)
Lithograph with varnish, laid on board in the style of a collage (1972)
Signed in pencil. Published in an edition of 100 by Snail Chemicals, London.
33.2 x 23 cm
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Ciao Picasso
Screenprint in colours (1974)
A proof aside from the edition of 30. Printed by Grafikwerkstatt, Hans Kahler, Hamburg.
Published by Propulaen, Verlag, Berlin.(Miles 187)
100 x 70 cm
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B.A.S.H. (Blue)
Screenprint in colours (1971)
From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.
(Miles 99)
85 x 70 cm
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B.A.S.H. (Yellow)
Screenprint in colours (1971)
From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.
(Miles 99)
85 x 70 cm
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B.A.S.H. (Pink)
Screenprint in colours (1971)
From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.
(Miles 99)
85 x 70 cm
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B.A.S.H. (Green)
Screenprint in colours (1971)
From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.
(Miles 99)
85 x 70 cm
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B.A.S.H. (Grey)
Screenprint in colours (1971)
From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.
(Miles 99)
85 x 70 cm
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General Dynamic FUN
The complete box set of 50 colour screenprints, plus 3 leaves of text, 1970. Housed in its original formed acrylic box. Published in an edition of 350 by Editions Electo, London. The title page and 6 of the screenprints are signed and numbered by Paolozzi.
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Conditional Probability Machine: Untitled (Broken Open Dummy Skeleton)
Photogravure (1970)
From the portfolio of 24. Signed in pencil and numbered from the edition of 24. Printed by Alecto Studios, London. Published by Editions Alecto, London.
(Miles 73)
57.5 x 39.5 cm
