Sims Reed Gallery

Eduardo Paolozzi

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Duck Farm II (colour)

Lithograph with extensive hand colouring (1997)

Printed on thick wove paper with the Paolozzi Estate stamp, verso.

35 x 49.9 cm

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Duck Farm II (colour)
  • Duck Farm II (colour)

    Duck Farm II (colour)

    Lithograph with extensive hand colouring (1997)

    Printed on thick wove paper with the Paolozzi Estate stamp, verso.

    35 x 49.9 cm

    enquire

  • Duck Farm (colour)

    Duck Farm (colour)

    Lithograph with extensive hand colouring (1997)

    Printed on thick wove paper with the Paolozzi Estate stamp, verso.

    34.7 x 49.9 cm

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  • Duck Farm III (colour)

    Duck Farm III (colour)

    Lithograph with extensive hand colouring (1997)

    Printed on thick wove paper with the Paolozzi Estate stamp, verso.

    34.7 x 49.7 cm

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  • Duck Farm IV (colour)

    Duck Farm IV (colour)

    Lithograph with extensive hand colouring (1997)

    Printed on thick wove paper with the Paolozzi Estate stamp, verso.

    34.7 x 59.7 cm

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  • Duck Farm IV

    Duck Farm IV

    Lithograph (1997)

    Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.

    34.9 x 49.9 cm

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  • Duck Farm III

    Duck Farm III

    Lithograph (1997)

    Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.

    35.1 x 50.1 cm

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  • Duck Farm II

    Duck Farm II

    Lithograph (1997)

    Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.

    35 x 50.4 cm

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  • Duck Farm

    Duck Farm

    Lithograph (1997)

    Signed in pencil and numbered from the edition of 30. Printed on stiff wove paper.

    35 x 50.4 cm

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  • Philidelphia Prints (black, blue background)

    Philidelphia Prints (black, blue background)

    Lithograph printed in colours (1971)

    Printed on thick blue paper. A colour variant relating to the Philadelphia Print, which was executed for the Museum of Modern Art, Philadelphia, in connection to the exhibition - ‘Silkscreen: History of the Medium’ 1971-72’.

    56.4 x 40.2 cm

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  • Philidelphia Prints (white, cream backround)

    Philidelphia Prints (white, cream backround)

    Lithograph printed in colours (1971)

    Printed on thick cream paper. A colour variant relating to the Philadelphoa Print, which was executed for the Museum of Modern Art, Philadelphia, in connection to the exhibition - ‘Silkscreen: History of the Medium’ 1971-72’.

    56.3 x 40.4 cm

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  • Philidelphia Prints (white, blue background)

    Philidelphia Prints (white, blue background)

    Lithograph printed in colours (1971)

    Printed on thick blue paper. A colour varriant relating to the Philadelphoa Print, which was executed for the Museum of Modern Art, Philadelphia, in connection to the exhibition - ‘Silkscreen: History of the Medium’ 1971-72’.

    56.4 x 40.4 cm

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  • Philidelphia Print

    Philidelphia Print

    Lithograph with extensive hand colouring (1970)

    45.9 x 33.1 cm

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  • Untitled

    Untitled

    Original collage (1982)

    Signed and dated in pencil. With the Paolozzi Estate stamp verso.

    21.1 x 29.8 cm

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  • Untitled

    Untitled

    Original collage (1982)

    Signed and dated in pencil. With the Paolozzi Estate stamp verso.

    21.1 x 29.8 cm

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  • (Study for Duck Farm)

    (Study for Duck Farm)

    Original collage (1997)

    With the Paolozzi Estate stamp verso.

    42 x 29.8 cm

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  • Untitled

    Untitled

    Original collage (1994)

    Dated ‘Aug. 1994 and inscribed ‘Dunsany Castle’ in ink. With the Paolozzi Estate stamp verso.

    21.5 x 32.7 cm

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  • Untitled

    Untitled

    Original collage (1994)

    Dated ‘Aug. 1994’ and inscribed ‘Dunsay’ in ink. With the Paolozzi Estate stamp verso.

    21.6 x 32.2 cm

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  • Untitled

    Untitled

    Screenprint in white over printed colour ground (1995)

    Signed in pencil and numbered from the edition of 16. With the Paolozzi Estate stamp, verso.

    40 x 31.3 cm

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  • Calcium Light Night

    Calcium Light Night

    (1975-6)

    The complete portfolio of nine screenprints in colours. Each signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 177-185)

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  • Calcium Light Night: Nettleton

    Calcium Light Night: Nettleton

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 185)

    99 x 69 cm

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  • Calcium Light Night: Calcium Night Light

    Calcium Light Night: Calcium Night Light

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 184)

    99 x 69 cm

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  • Calcium Light Night: Four German Songs

    Calcium Light Night: Four German Songs

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 183)

    99 x 69 cm

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  • Calcium Light Night: From Early Italian Poets

    Calcium Light Night: From Early Italian Poets

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 182)

    99 x 69 cm

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  • Calcium Light Night: Aeschylus and Socrates

    Calcium Light Night: Aeschylus and Socrates

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 181)

    99 x 69 cm

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  • Calcium Light Night: Allegro Moderato Fireman’s Paradise

    Calcium Light Night: Allegro Moderato Fireman’s Paradise

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 180)

    99 x 69 cm

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  • Calcium Light Night: Central Park In the Dark Some 40 Years Ago

    Calcium Light Night: Central Park In the Dark Some 40 Years Ago

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 179)

    99 x 69 cm

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  • Calcium Light Night: Largo to Presto

    Calcium Light Night: Largo to Presto

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    99 x 69 cm

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  • Calcium Light Night: The Children’s Hour

    Calcium Light Night: The Children’s Hour

    Screenprint in colours (1975-76)

    Signed in pencil and numbered from the edition of 200 (there were also 25 Artist’s Proofs). From: Calcium Light Night. Printed on J. Green mould-made paper by Advanced Graphics, London. Published by Propylaen Verlag, Berlin.

    (Miles 177)

    99 x 69 cm

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  • The Turing Suite

    The Turing Suite

    (2000)

    The complete portfolio of eight screenprints in colours. Each signed in pencil and numbered from the edition of 50. Printed on Somerset paper.

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  • Turing 1 & 2

    Turing 1 & 2

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 112 cm

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  • Turing 3

    Turing 3

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Turing 4

    Turing 4

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Turing 5

    Turing 5

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Turing 6

    Turing 6

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Turing 7

    Turing 7

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Turing 8

    Turing 8

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Turing 9

    Turing 9

    Screenprint in colours (2000)

    Signed in pencil and numbered from the edition of 50. From: The Turing Suite. Printed on Somerset paper.

    76 x 56 cm

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  • Multi Chanel Prototype

    Multi Chanel Prototype

    Screenprint in colours (1969-70)

    Signed in pencil and numbered from the edition of 120 (each sheet in individual colourway). Printed by Petersburg Press, London.

    (Miles 52)

    84 x 60 cm

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  • BUNK

    BUNK

    (1972)

    Boxed set of 45 screenprints, each individually laid to papers and board in the style of a collage. Published in an edition of 100 by Snail Chemicals, London.
    With five prints signed and dated in pencil by Paolozzi.

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  • General Dynamic FUN

    General Dynamic FUN

    The complete box set of 50 colour screenprints, plus 3 leaves of text, 1970. Housed in its original formed acrylic box. Published in an edition of 350 by Editions Electo, London. The title page and 6 of the screenprints are signed and numbered by Paolozzi.

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  • Moonstrips Empire News

    Moonstrips Empire News

    The complete boxed set of 100 colour screenprints (1967)

    Printed on various paper stocks, 1967. Housed in its original formed pink acrylic box. Published in an edition of 500 by Editions Alecto, London. Eight of the prints are signed and numbered in pencil by Paolozzi.

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  • BUNK (baby collage)

    BUNK (baby collage)

    Lithograph with varnish, laid on board in the style of a collage (1972)

    Signed in pencil. Published in an edition of 100 by Snail Chemicals, London.

    38.4 x 27.9 cm

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  • BUNK (man with proesthetic arm)

    BUNK (man with proesthetic arm)

    Lithograph with varnish, laid on board in the style of a collage (1972)

    Signed in pencil. Published in an edition of 100 by Snail Chemicals, London.

    33.2 x 23 cm

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  • B.A.S.H. (Blue)

    B.A.S.H. (Blue)

    Screenprint in colours (1971)

    From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.

    (Miles 99)

    85 x 70 cm

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  • B.A.S.H. (Yellow)

    B.A.S.H. (Yellow)

    Screenprint in colours (1971)

    From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.

    (Miles 99)

    85 x 70 cm

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  • B.A.S.H. (Pink)

    B.A.S.H. (Pink)

    Screenprint in colours (1971)

    From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.

    (Miles 99)

    85 x 70 cm

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  • B.A.S.H. (Green)

    B.A.S.H. (Green)

    Screenprint in colours (1971)

    From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.

    (Miles 99)

    85 x 70 cm

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  • B.A.S.H. (Grey)

    B.A.S.H. (Grey)

    Screenprint in colours (1971)

    From the edition of 3000, printed in five colour varriations. Printed on Hollingsworth mould made paper 225g paper by Advanced Graphics, London. Published by Galerie Dorothea Leonhart, Munich.

    (Miles 99)

    85 x 70 cm

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