Joan Miró
Les Hommes
Lithograph (1948)
Signed in pencil and numbered from the edition of 75. Printed on Arches paper by Mourlot, Paris. Published by Galerie Maeght, Paris.
(Mourlot 58)
65.5 x 50 cm
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Les Hommes
Lithograph (1948)
Signed in pencil and numbered from the edition of 75. Printed on Arches paper by Mourlot, Paris. Published by Galerie Maeght, Paris.
(Mourlot 58)
65.5 x 50 cm
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Trace sur la Paroi V
Original colour etching, aquatint and corborundum (1967)
Signed in pencil and numbered from the edition 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris.
(Dupin 444)
72.5 x 104.5 cm
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L’Enfance d’Ubu
Lithograph printed in colours (1975)
Signed in pencil, a numbered proof aside from the edition of 120. Printed on Arches Paper by Mourlot, Paris. Published by Teriade, Paris.
(Mourlot 1015)
31 x 47.5 cm
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Joan Miro 1937
Etching and aquatint printed in colours (1947)
Signed in pencil and inscribed ‘epreuve d’essai pour Hayter’. Dated ‘New York ‘18.6.47’ in pencil. From ‘The Ruthven Todd Album’. An extremely rare trial proof before the edition of aproximately 8. Printed by Stanley William Hayter at Atelier 17, New York.
(See Cramer 14)
33.5 x 25.5 cm
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Joan Miro
Etching and aquatint (1947)
Signed in pencil and inscribed ‘epreuve d’essai pour Hayter’. Dated ‘New York ‘2.5.47’ in pencil. From ‘The Ruthven Todd Album’. An extremely rare trial proof before the edition of aproximately 8. Printed by Stanley William Hayter at Atelier 17, New York.
(See Cramer 14)
33.5 x 25.5 cm
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Poem for Diane Bouchard
Etching and aquatint (1947)
Signed in pencil and inscribed ‘epreuve d’essai pour Hayter’. Dated ‘1947’ in pencil. From ‘The Ruthven Todd Album’. An extremely rare trial proof before the edition of aproximately 8. Printed by Stanley William Hayter at Atelier 17, New York.
(See Cramer 14)
33.5 x 25.3 cm
