Roy Lichtenstein
Bull Profile Series
(1973)
The complete portfolio of six line-cut, lithograph, and screenprint. Each signed in pencil and numbered from the edition of 100. Printed on Arjomari paper by Gemini GEL, California. Published by Gemini GEL with their blindstamp.
(Corlett 116-121)
68.6 x 88.9 cm
-
Bull Profile Series
(1973)
The complete portfolio of six line-cut, lithograph, and screenprint. Each signed in pencil and numbered from the edition of 100. Printed on Arjomari paper by Gemini GEL, California. Published by Gemini GEL with their blindstamp.
(Corlett 116-121)
68.6 x 88.9 cm
-
Two Paintings: Sleeping Muse
(1984)
Woodcut, lithograph, and screenprint in colours. Signed in pencil and numbered from the edition of 60. Printed on Arches paper by
Corlette 203
96.2 x 124.3 cm
-
Reflections on Minerva
Lithograph, screenprint, relief, and metalic PVC collage with embossing (1990)
Signed in pencil and numbered 58/68. Printed on mold-made Sommerset paper by Tyler Graphics, New York. Pulblished by Tyler Graphics, New York.
Corlett 244
106.7 x 131.4 cm
-
Moonscape
Lithograph, woodcut and screenprint in colours (1985)
Signed in pencil and inscribed ‘SPIII’. A proof impression aside from the edition of 60. Printed and published by Gemini G.E.L., Los Angeles.
(Corlett 212)
94.6 x 140.5 cm
-
Brushstroke on Canvas
Lithograph printed in colours (1989)
Signed in pencil and numbered from the edition of 40. Printed on Rives BFK paper by Tyler Graphics Ltd., New York. Published by The Metropolitan Museum of Art, New York.
(Corlett 234)
96.4 x 92.1 cm
-
Illustration for ‘Amerique’
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 267)
48.1 x 35.4 cm
-
Illustration for ‘Auto Poesie:en Cavale de Bloomington’
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 268)
47.9 x 35.3 cm
-
Illustration for ‘Bayonne en Entrant dans NYC’
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 269)
35.4 x 48 cm
-
Illustration for ‘Or Automnal: Arriere-Saison en Nouvelle Angleterre’
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 270)
35.3 x 48.1 cm
-
Illustration for ‘De Denver au Montana, Depart 27 Mai 1972’ (I)
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 275)
35.4 x 48.1 cm
-
Illustration for ‘Hum Bum’
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 274)
48.1 x 35.4 cm
-
Illustration for ‘De Denver au Montana, Depart 27 Mai 1972’ (II)
Etching and aquatint printed in colours (1992)
Signed in pencil and numbered from the edition of 42. Printed on japon nacre paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris.
(Corlett 276)
48.1 x 35.4 cm
-
Modern Head #5
Embossed graphite with Strathmore die-cut paper overlay, mounted in original white lacquered aluminium frame (1970)
Signed and dated in pencil and numbered from the edition of 100. Printed and published by Gemini G.E.L., Los Angeles.
(Corlett 95)71.1 x 49.5 cm
